3/27/2023 0 Comments Audiobook creator for hire![]() For example, here is a modified excerpt from the contract ACX suggests using with an engineer:ĮNGINEER understands and agrees that all right, title, and interest in the WORK is owned and controlled by RIGHTS HOLDER. ![]() Although it may be that the work of the voiceover talent or the production services provided by the engineer does not fall into a standard work for hire contract, by adding transfer language to the work for hire language, you can be sure that all rights will be owned by you when the project is finished.Ī’s Audiobook Creation Exchange (ACX) uses the belt and suspenders approach in the form contracts it provides its creators. This is the “belt and suspenders” approach. Many intellectual property transfer agreements contain work for hire language as well as language transferring intellectual property rights. The simple contract that will do the trick is commonly known as an intellectual property transfer (or assignment) agreement. A straight “work for hire” agreement may not be sufficient because voiceover talent and production/engineering work do not fall squarely into the nine work for hire categories defined in the Copyright Act. The basic understanding that you are the owner of all the rights needs to be in writing. If the audiobook is not recorded and produced by you, the individuals or entities who engineered and produced the audiobook own that element of the sound recording copyright.Ī simple contract in which the voice over talent and the producer or engineer transfer (or assign) all of their rights to you in exchange for some consideration-payment-is all you need to secure those rights for yourself. If you hire someone to be the voice of your audiobook, that person owns the rights in his performance. The owners of the copyrights in a sound recording are the performers and the producers. Generally, copyright protection extends to two elements in a sound recording: (1) the contribution of the performers whose performance is captured and (2) the contribution of the person responsible for capturing and processing the sounds to make the final recording (the producer). “Fixed” means that the sounds are embodied in a recording. An Audiobook is a Sound Recordingįrom a copyright perspective, an audiobook is a sound recording-a work that results from “fixing” a series of spoken, musical, or other sounds. You need to know what those rights are, who owns them, and how to secure them for yourself so you have control over the revenue generated by audiobook sales. There is another set of rights that attaches to audiobooks and those rights are not necessarily owned by you unless you plan for it. Just to refresh your recollection, copyright in your written work actually includes a bundle of rights: the right to reproduce, create derivatives, distribute copies, and perform your work publicly. You became the owner of that copyright the minute you created it ( so they say) and presumably have already applied for the copyright registration in your underlying work. As the author of your book, you own the copyright in the content that will be narrated. When exploring the various options available for creating your audiobook, there are a few key copyright concepts you need to keep in mind. ![]() Audiobook creation and sale is an income producing and readership building opportunity that is the natural next step in an author’s business model. Although audiobook unit sales are still small, the market for audiobooks has grown exponentially in the past few years and is the fastest growing format in the book business today according to The Wall Street Journal. One highly recommended way to sell more books is to bundle your e-book with an audiobook. You’re kicking the sales machine into gear-knee-deep in marketing and courting readers. Your book is written, edited, and formatted.
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